MUSICIRCUS| John Cage
MUSICIRCUS| John Cage
Grup Instrumental de València
Antiphon Ensemble Project
Joan Cerveró, Conductor
Estrella Estévez, Soprano
Pilar Jurado, Soprano
Noelia Liñana, Dance and Choreography
Christine Cloux, Dance and Choreography
Kontakte Grup de Percussió
Unió Musical de Vilafranca, Pau Monfort, Conductor
Coral Infantil i Jovenil Borrianenca, Vicent Doménech, Conductor
Orquesta Caballo Ganador, Fernando Junquera, Conductor
Solists and Voluntaries
JOHN CAGE
Musicircus (1967) (00:60:00)
for any number of performers willing to perform in the same place at the same time
Works played at the Musicircus
C. F. Peters Edition | Henmar Press Inc.
Total duration of this Musicircus 05:30:00
Worsk Performed
Second Construction (1940) | 33 ⅓ (1969) | Ten (1991) | Sonatas & Interludes (1946-48) | Music Walk (1959) | 27'10.554, for a percussionist (1956) | Aria, for voice solo (1958) |
Sonata for clarinet (1933) | 49 Waltzes for the Five Boroughs (1977) | Perpetual Tango (1984) | Song Books (Solos for Voice 3-92) (1972) | Water music (1960) | Six Melodies (1950) |
Cartridge Music (1960) | Telephones and Birds (1977) | Rocks (1986) | Variations I (1958) | Dream (1948) | Branches (1976) | In a Landscape (1948) | Seven (1988) | Fifty-Eight (1992) |
The Beatles 1962-1970 (1989/90) | Musicircus for Children(1984) | Five4 (1991) | First Construction (in metal) (1939) | String Quartet in four parts (1950) | Living room music (1940) |
In the Name of the Holocaust (1942) | Freeman Etudes (1977-90) | Music for Wind Instruments (1938) | Water Walk (1959) | Sixty-two Mesostics Re Merce Cunningham (1971) |
Music of Changes Book 1 (1951) | Inlets (Improvisación I) (1984) | She is asleep (II) (1943) | One4 (1990) | Speech (1955) | Bacchanale (1940) | 26'1.1499" For a String Player (1953 - 1955) |
Amores (1943) | Ryoanji (1985) | Thirten (1991) | Variations I (1958) | Imaginary Landscape nº 2 March (1942) | Suite for Toy Piano (1948) | 4'33" (1952) | Forever and Sunsmell (1942) |
Fontana mix (1958) | But what about the noise of crumpling paper which he used to do in order to paint the series of "Papiers froisses" or tearing up paper to make "Papiers
dechires?" Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests (1985) | Two (1987) | Quest (1935) | Imaginary landscape nº 4 (March nº 2) (1951)
Production information
Produced by ROZART
Recorded Live at EACC Espai d’Art Contemporàni de Castelló, in January 4, 2008
Engineered, Mastering and Edition by Vicente Sabater at Estudios Millenia, Valencia
Graphic Design and Photography, Marta Villazón
CD | Classical Contemporary Music | Spain
Rozart | Arts#3 | V 1543-2010
© 2010 ROZART www.rozart.es